Off today to New York City to see Judith Ivey's THE LADY WITH ALL THE ANSWERS and then to meet with Judith about my play, THE PORCH. Always pleased when a respected actor reads my stuff, gets it, and expresses interest in it. Doesn't happen all the time. Almost never happens with Artistic Directors, Literary Managers, or Dramaturgs. Anyway, we'll see what we shall see.
Netflix delivered the remake of THE TAKING OF PELHAM 1-2-3 yesterday. Good flick. Especially worth watching for John Travolta's lunatic villain--not a big challenge, showy role, but he pulls it off quite well--and, most especially, for Denzel Washington's mild-mannered, schlumpy, ferociously honest exec-turned-subway train dispatcher. I've never thought a lot about what Denzel brings to the table as an actor, but he never disappoints. Always seems to bring his A-game and, in this case, sacrifices leading man good looks and charisma for sincerity and accommodation of the story, making the movie, perhaps, a little better than it really is. There's a lot of action and things blowing up, of course. It is a Tony Scott film, after all. But Denzel's character--and John Turturro's hostage negotiator as well--ground the story in reality, and make the film worth watching.
That's all I have today. Must begin checking every faucet and electrical outlet in preparation for my three days away from here.
It's exhausting, being me.